Remedios Varo: Creacion De Los Aves

by Stephen Parker, Ph.D (Article Selection and Commentary) on December 26, 2010


Creación de los aves, 1957

From: The Science Of Remedios Varo

Excerpts from The New York Times-Science Forum

A woman with the feathers and face of an owl in one hand wields a paintbrush that extends from a violin hanging where her heart should be. In her other hand she holds a magnifying glass that refracts light from a star onto the page where her bird-in-progress is about to fly away. A Rube Goldberg-type apparatus collects stardust from another window and transforms it into the red, yellow and blue pigments from which the bird is drawn.
Here, Ms. Varo portrays the three ingredients necessary for the origin of life: matter, made up of complex molecules that scientists have determined were formed by stellar fusion, deep in the interiors of stars, thus her stardust becomes paint pigment; energy, again the gift of suns, beaming from the star through the magnifying glass and onto the page; and organization, the anti-entropy principle, represented by the Owl Woman's cardio-violin.

Thus, through Ms. Varo’s profound artistry, the origin of life is transformed, so that it can be seen for what it is: a warm-blooded miracle, a song taking flight.

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